048A0059.jpg

Bio & CV

BIO

Eden Gallanter is an artist working primarily in ink and watercolor. Her past work in English literature, environmental planning, restoration ecology, and neuroscience was instrumental in shaping her current interests and ideas. She is now a full-time artist, although science and planning continue to be an important part of her art process. She lives in her home town of San Francisco, with her wife and daughter.

Artist Statement

            Most of my artwork involves superimposed objects. All are drawn either from life or from my own sketches and photographs taken on location. Finding relationships between multiple images is a fascinating process; these relationships can be categorical, morphological, symbiotic, or even antipathetic. Through highly individual experiences, I am expressing my belief in a shared world, in the effort to find the bridge between inner and outer experience.

            In layering images, I am looking for similarities and differences between diverse body forms, habitats, architecture, geology, ideas, and perspective. "Iterations” are multiple overlaid perspectives of a single object. In repeating the object, discrete forms inevitably start to fall apart. At this point, I can start to shape the essential form of the object from the fragments, a jumble of broken-down perspectives that blend and dissolve into one another. "Non Sequiturs" superimposes randomly selected subject pairs, creating a series of visual and conceptual problems to resolve, and generating an unexpected connection between seemingly unrelated subjects. “Correlations” is a study of the relationships between insects and flowers, examining principles of coevolution and symbiosis, as well as mythological and morphological associations. “Paradigms” aims to find fundamental forms and concepts within a single category of subjects—the Tree within the trees, the Bridge within the bridges, the Island within the islands.

            There are only two meaningful directions: upwards and inwards, but there seems to be no limit to how far out of ourselves, or how deep into ourselves, we can go. I believe that upwards and inwards connect at some farthest point to form a loop, like discovering that I had the same dream as a total stranger, or finding a childhood treehouse perfectly replicated inside an ancient palace. My artwork is about that farthest point.

C.V.

EXHIBITIONS

2020 Virtual/Window #1, Avenue 12 Gallery, San Francisco, CA

Women Rising, The Drawing Room Annex, San Francisco, CA

2019 Queereyes, Offices of Senator Scott Wiener, San Francisco, CA

That Farthest Point, Four Barrel Coffee, San Francisco, CA

2018 Artwork: Eden Gallanter, Azari Vineyards, Petaluma, CA

Mystery, Public Works, San Francisco, CA.

The Fools' Journey through Life, The Studio Door, San Diego, CA.

Techne, Arthaus Projects, Williamsport, PA.

Theory, Public Works, San Francisco, CA.

Wild, Public Works, San Francisco, CA.

2009    Replete, Cornell University, Ithaca, NY.

2004    Student Exhibition, Academy of Art University, San Francisco, CA.

 

EDUCATION & AWARDS

2010    Master of Landscape Architecture, Cornell University, Ithaca, NY.

2008    James Rose Award for landscape design, Ridgewood, NJ.

2004    Master of Fine Arts, Academy of Art University, San Francisco, CA.

2001    Bachelor of Arts, Vassar College, Poughkeepsie, NY.

COMMISSIONS

Emergence Magazine, Negative Love by Daisy Hildyard. Ink and watercolor on paper. Published 16 April 2020.

Yayanos, Meredith, Monsters. Ink and watercolor on paper. March 2018.

Conservation Technology Information Center, Wetlands: A Component of an Integrated Farming Operation. Colored pencil on paper. Published September 2008.

PUBLISHED WRITING AS AUTHOR: ART & ENVIRONMENTAL DESIGN

Gallanter, Eden. The Cheimonette Tarot and companion book, Dallas TX, Cartamundi USA, 2014.

Gallanter, E.  "A tree filled with angels: The Visionary Worlds of Jim Woodring and William Blake" COILHOUSE blog, Coilhouse, 24 August 2012. Accessed 28 April 2018.

Gallanter, E. “The Invisible History of Safed” Polis Blog, 25 July 2012. Accessed 15 April 2020.

Gallanter, E. "Tsfat's Artist's Colony: Including the Old Muslim Quarter in the UNESCO Project" Vision to Reality, The Reut Institute, 31 May, 2012. Accessed 31 December 2019.

Gallanter, E. "Leapfrogging Tsfat: Attaining World Heritage Site Status for the Town" Vision to Reality, The Reut Institute, 14 May 2012. Accessed 31 December 2019.

Gallanter, Eden. "The Tango, The Quark, and the Allegory of Love" COILHOUSE blog, Coilhouse, 17 October, 2011. Accessed 28 April 2018.

PUBLISHED WRITING AS AUTHOR: PEER-REVIEWED ARTICLES

Jui-Yang Hong, Eden Gallanter, Eva M. Müller-Oehring & Tilman Schulte (2019) Phases of procedural learning and memory: characterisation with perceptual-motor sequence tasks, Journal of Cognitive Psychology, 31:5-6, 543-558.

Gallanter, Eden B. & Beaudreau, Sherry. "Good News for Bilinguals: Knowing Two or More Languages is Good for Your Brain. Psychology Benefits Society, American Psychological Association, 18 February 2016. Accessed 28 April 2018.

Eden Gallanter (2010) Ciudad Jardín Lomas del Palomar: deriving ecocity design lessons from a garden city, Planning Perspectives, 27:2, 297-307.